Scope and Contents
The watercolours are finely executed, with painstaking attention to detail and the suspicion is that both text and images were the product of a particular kind of artistic education at the convent of Notre Dame. We are aware of at least two other examples of similar botanical manuscripts, with a different selection of flowers, but arranged in precisely the same format, with calligraphic titles—each signed by different women, and one dateable to 1810 (Christies, NY, 14 December 2016, lot 159).
As we know, flower painting was an art form both approved and encouraged among young women, especially in a devout Catholic context, developing qualities of devotion, attention to detail and patience; so, for example, the creation of a watercolour of the passion flower (Grenadille bleue) can be interpreted as a Christian meditation, the flower’s complex structure a symbol of Christ’s passion: including his scourging, crowning with thorns, the three nails and the five wounds. The large scale of these particular illustrations, coupled with the exceptional brushwork, allow an unusual degree of scientific exactitude. --revised from dealer description
Dates
- 1810 - 1830
Language of Materials
Conditions Governing Access
Biographical Note
Source: Revised from dealer description.
Extent
0.25 Cubic Feet (1 volume)
- Title
- Histoire Naturelle, Botanique
- Status
- Completed
- Author
- Tanner Greene
- Date
- 19 February 2019
- Description rules
- Describing Archives: A Content Standard
- Language of description
- Undetermined
- Script of description
- Code for undetermined script
- Language of description note
- English
Repository Details
Part of the Albert and Shirley Small Special Collections Library Repository
Albert and Shirley Small Special Collections Library
P.O. Box 400110
University of Virginia
Charlottesville Virginia 22904-4110 United States