Popular culture
Found in 1842 Collections and/or Records:
Letter from Jefferson Randolph Kean to Aristides Agramonte, December 7, 1927
Kean mentions the dedication of Walter Reed's birthplace and ongoing yellow fever work. He offers his opinion on the Reed-Finlay debate.
Letter from Jefferson Randolph Kean to Aristides Agramonte, May 9, 1928
Kean sends Agramonte a Congressional committee report on the yellow fever pension bill and gives his opinion in regards to compensation amounts. Kean also comments on the Rockefeller Foundation yellow fever work in West Africa.
Letter from Jefferson Randolph Kean to Aristides Agramonte, January 30, 1929
Kean relates news of the pension bill and notes the recognition of Agramonte's work in the bill.
Letter from Jefferson Randolph Kean to Aristides Agramonte, August 22, 1929
Kean inquires about Agramonte's father and explains the delay of Agramonte's medal and pension, approved in February 1929.
Letter from Jefferson Randolph Kean to Burton J. Hendrick, April 15, 1924
Kean expresses doubt that the statements already published in the excerpts of Gorgas' biography can be corrected in the final publication without contradiction.
Letter from Jefferson Randolph Kean to Burton J. Hendrick, May 1, 1924
Kean offers an explanation of how his rebuttal letter to Marie Gorgas' article came to be published in New York Times.
Letter from Jefferson Randolph Kean to Burton J. Hendrick, May 6, 1924
Kean mentions Howard's letter, which offers proof of Reed's awareness of the practical effects of his yellow fever experiments.
Letter from Jefferson Randolph Kean to Caroline Latimer, circa January 28, 1903
Kean encourages Kelly to support the pension bill with a letter to the Washington Post.
Letter from Jefferson Randolph Kean to Domingo F. Ramos, November 22, 1944
Kean discusses Finlay's mosquito theory and Reed's research.
Letter from Jefferson Randolph Kean to Domingo Ramos, March 6, 1941
Kean assures Ramos that Hench is correct about the location of Camp Lazear, and gives a little of his own history in Cuba to indicate that he himself has knowledge of the places.
Letter from Jefferson Randolph Kean to D.S. Lamb, October 24, 1927
Kean thanks Lamb for information on Reed's last days.
Letter from Jefferson Randolph Kean to Emilie Lawrence Reed, January 17, 1924
Kean informs Emilie Lawrence Reed that his son Robert is graduating from MIT in chemistry. He discusses the role of Sternberg and Gorgas with the Yellow Fever Commission.
Letter from Jefferson Randolph Kean to Emilie Lawrence Reed, April 2, 1924
Kean expresses his disapproval of the claims made by Marie Gorgas' in her biography of William Crawford Gorgas.
Letter from Jefferson Randolph Kean to Emilie Lawrence Reed, April 11, 1924
Kean informs Emilie Lawrence Reed that he wrote to the editor of World's Work to dispute the claims made by Marie Gorgas as regards the Yellow Fever Commission.
Letter from Jefferson Randolph Kean to Emilie Lawrence Reed, circa April 1924
Kean informs Emilie Lawrence Reed that Hendrick will print a correction to an earlier article. This letter is written at the bottom of Hendrick's letter to Kean, dated April 16, 1924. Hendrick writes that the corrections will be made and regrets any offense given Emilie Lawrence Reed.
Letter from Jefferson Randolph Kean to Emilie Lawrence Reed, May 6, 1924
Kean informs Emilie Lawrence Reed that the manuscript of Gorgas' biography might be corrected to reflect Reed's role. He will retire to Washington this summer.
Letter from Jefferson Randolph Kean to Emilie Lawrence Reed, August 14, 1929
Kean vouches for Harrison and urges Emilie Lawrence Reed to make a donation to Vanderbilt University.
Letter from Jefferson Randolph Kean to Emilie Lawrence Reed, July 1, 1929
Kean congratulates Emilie Lawrence Reed on the establishment of her annuity.
Letter from Jefferson Randolph Kean to Frank R. McCoy, January 11, 1932
Kean congratulates McCoy on his appointment to Manchuria and comments on Hagedorn's biography of Leonard Wood.
Letter from Jefferson Randolph Kean to George A. Kellogg, March 27, 1941
Kean criticizes the sketches for the Cornwell painting and discusses the anti-Reed sentiment in Cuba.