Popular culture
Found in 1842 Collections and/or Records:
Letter from George A. Kellogg to John H. Andrus, February 28, 1941
Kellogg informs Andrus about the series of paintings entitled "Pioneers of American Medicine," produced by John Wyeth & Brother, Inc. The third painting will be entitled "The Conquest of Yellow Fever."
Letter from George A. Kellogg to John J. Moran, February 28, 1941
Kellogg informs Moran that a series of paintings entitled "Pioneers of American Medicine" is planned. Moran will receive copies of the first two paintings, produced by Cornwell. Kellogg requests a photograph of Moran taken around the year 1900.
Letter from George A. Kellogg to Lawrence [Walter L.] Reed, February 28, 1941
Kellogg informs Lawrence Reed that he will receive copies of the first two paintings in the series "Pioneers of American Medicine." He requests to meet with Lawrence Reed.
Letter from George A. Kellogg to Morris Fishbein, July 22, 1941
Kellogg describes to Fishbein the possibilities of including a plate of Cornwell's painting in Hench's article for the journal "Hygeia."
Letter from George A. Kellogg to Philip Showalter Hench, February 7, 1941
Kellogg thanks Hench for providing so much information for Cornwell's painting. He will discuss changes in the painting with Cornwell.
Letter from George A. Kellogg to Philip Showalter Hench, February 18, 1941
Kellogg discusses his conversation with Cornwell and the changes that are planned for the yellow fever painting. Hench may take the preliminary sketches to Cuba with him if he likes.
Letter from George A. Kellogg to Philip Showalter Hench, March 4, 1941
Kellogg discusses the Cornwell painting in progress, proposed changes to the painting, and the possibility of producing a second painting to appease critics in Cuba.
Letter from George A. Kellogg to Philip Showalter Hench, March 16, 1941
Kellogg discusses his efforts to assuage critics in Cuba. He will send Hench photographs of the preliminary "Cuban versions" of Cornwell's painting.
Letter from George A. Kellogg to Philip Showalter Hench, March 17, 1941
Kellogg thanks Hench for the letter, from Agramonte's daughter, in which she criticized the preliminary sketches of Cornwell's painting.
Letter from George A. Kellogg to Philip Showalter Hench, March 21, 1941
Kellogg reports on his visit with Andrus and notes suggestions Andrus made for the Cornwell painting.
Letter from George A. Kellogg to Philip Showalter Hench, March 27, 1941
Kellogg discusses the depiction of soldier volunteers in the Cornwell painting. He will test reactions to the painting in Cuba before distributing it.
Letter from George A. Kellogg to Philip Showalter Hench, May 16, 1941
Kellogg discusses Hench's travel expenses and the guest list for the unveiling of the Cornwell painting.
Letter from George A. Kellogg to Philip Showalter Hench, May 28, 1941
Kellogg supplies Hench with details on the upcoming unveiling of the Cornwell painting. He discusses Law's introduction of Hench, the guest list, Hench's speech, the planned order of proceedings, and the painting.
Letter from George A. Kellogg to Philip Showalter Hench, June 23, 1941
Kellogg discusses the publication of Hench's remarks on the Cornwell painting in medical journals. The Wyeth Company will provide color inserts of the painting for publication.
Letter from George A. Kellogg to Philip Showalter Hench, June 23, 1942
Kellogg suggests that Hench give a lecture on yellow fever lecture in Philadelphia. He introduces his brother, a surgeon, and comments on the successful Cornwell painting unveiling at which Col. Rankin spoke.
Letter from George A. Kellogg to Philip Showalter Hench, July 8, 1942
Kellogg asks if Hench has noted the use of the “Conquerors of Yellow Fever” painting in Morrow's new book. He discusses Pinto's role in the yellow fever experiments.
Letter from George A. Kellogg to Philip Showalter Hench, September 2, 1942
Kellogg discusses his meeting with Siler. He informs Hench that Lawrence Reed was honored to personally present Hench's application for an army commission.
Letter from George A. Kellogg to Philip Showalter Hench, July 8, 1941
Kellogg informs Hench that the Moran figure in Cornwell's painting has already been completed with a mustache. Plates of the painting have also already been made. He discusses the publication of an article on the painting.
Letter from George A. Kellogg to Philip Showalter Hench, August 22, 1941
Kellogg discusses identification of the figures in Cornwell's painting for an upcoming "Hygeia" article that will feature a copy of the painting.
Letter from George A. Kellogg to Philip Showalter Hench, August 26, 1941
Kellogg discusses the inclusion of Ames in the Cornwell painting. He has contacted Kean regarding this matter.