Popular culture

This letter, written by a student of Edith R. Force, thanks Emilie Lawrence Reed for the life and work of Walter Reed.

Smith informs Hench that he will contact Cuban officials in order to get information about the dedication of Camp Lazear, and to stimulate recognition of American interest in this activity.

Smith informs Hench that a representative from the American Medical Association will attend the Camp Lazear dedication and present a wreath.

Smith requests that Hench send him more information regarding Camp Lazear.

Smith accepts Hench's offer to document the Camp Lazear dedication as if he were the correspondent for the “Journal of the American Medical Association.” He inquires if Hench knows of someone in Cuba who would be willing to be a correspondent for the journal.

Smith informs Hench that he can wait until the end of January for the Camp Lazear article and would like a photograph from the event.

McClain will follow Hench's suggestion of making still photographs from the film produced during the dedication ceremony of the Lazear Building at Washington and Jefferson College.

McClain has sent Hench copies of the Lazear Memorial Building dedication booklet.

McClain writes that he will send Hench a package of "A Mile Post" brochures. He reports that there are no additional copies of Alumni Bulletins. The film made during Founders' Day celebration at the college turned out well.

McClain returns photographs to Hench, which had been believed lost.

Hoyt provides information on how to protect Building No. 1 from the effects of weathering and the attack of termites.

Horton agrees to facilitate an invitation for Hench to give his lecture on the yellow fever experiments at the University of Virginia..

Gruenberg informs Kelly of the campaign to raise funds for the Kissingers and asks to borrow photographs.

Heilbron comments on Hench's article, entitled "Conquerors of Yellow Fever." She informs him that he will receive a number of copies of her article on Reed.

Lyons thanks Law for referring her to Roley, who will provide inserts for the Hall of Fame program.

Lyons seeks material to be reproduced in a program for the unveiling of the Walter Reed bust at the Hall of Fame. She solicits suggestions from Hench.

Lyons has been in contact with the Wyeth company, which has offered to make inserts of the Cornwell painting for the Hall of Fame program. She awaits a note from Lawrence Reed giving permission to reproduce material in Hench's collection.

Lyons requests that Hench send photostats and photographs of specific items from the general list of data in his possession. The material will be used in the Hall of Fame program for the unveiling of the Walter Reed bust.

Lyons writes that Lawrence Reed has suggested that the Hall of Fame program include an image of Lemuel Reed's parsonage. She asks if Hench has a photo.

Lyons clears up some confusion about which items she wanted Hench to send for the Hall of Fame program. Howard will be invited to the ceremony, and she hopes he can come. She regrets that Hench will be unable to attend.