Social history
Found in 2404 Collections and/or Records:
Letter from George A. Kellogg to Lawrence [Walter L.] Reed, February 28, 1941
Kellogg informs Lawrence Reed that he will receive copies of the first two paintings in the series "Pioneers of American Medicine." He requests to meet with Lawrence Reed.
Letter from George A. Kellogg to Philip Showalter Hench, July 8, 1941
Kellogg informs Hench that the Moran figure in Cornwell's painting has already been completed with a mustache. Plates of the painting have also already been made. He discusses the publication of an article on the painting.
Letter from George A. Kellogg to Philip Showalter Hench, August 22, 1941
Kellogg discusses identification of the figures in Cornwell's painting for an upcoming "Hygeia" article that will feature a copy of the painting.
Letter from George A. Kellogg to Philip Showalter Hench, August 26, 1941
Kellogg discusses the inclusion of Ames in the Cornwell painting. He has contacted Kean regarding this matter.
Letter from George A. Kellogg to Philip Showalter Hench, August 27, 1941
Kellogg sends Hench copies of correspondence with Carlos E. Finlay. He discusses Cubans' attitudes toward the work of Carlos J. Finlay and the possibility of a "Cuban version" of the Cornwell painting.
Letter from George A. Kellogg to Philip Showalter Hench, September 23, 1941
Kellogg discusses the painting of McDowell, which is being planned by Wyeth, and describes Rankin's criticism of the Cornwell yellow fever painting.
Letter from George A. Kellogg to Philip Showalter Hench, October 16, 1941
Kellogg has received favorable comments on the Cornwell painting from Cumming and Kahn. Kahn, a friend of Carlos E. Finlay, reported Finlay's approval.
Letter from George A. Kellogg to Philip Showalter Hench, October 27, 1941
Kellogg discusses the favorable reaction to the Cornwell yellow fever painting. He has sent a proof and copies to Agramonte's daughter.
Letter from George A. Kellogg to Philip Showalter Hench, December 9, 1941
Kellogg discusses the display of the "Cuban version" sketches of Cornwell's yellow fever painting, in Cuba.
Letter from George A. Kellogg to Philip Showalter Hench, June 8, 1943
Kellogg assures Hench that he will still be involved with the "Pioneers of American Medicine Series," despite the fact that he no longer with Wyeth. He and Cornwell received an award from the National Art Director's Club. He expresses concern about Kean.
Letter from George A. Kellogg to Philip Showalter Hench, January 15, 1942
Kellogg discusses a planned series of medical portraits.
Letter from George A. Kellogg to Philip Showalter Hench, February 20, 1942
Kellogg congratulates Hench on his discovery of the Lazear letters and feels the war will revive interest in yellow fever.
Letter from George A. Kellogg to Philip Showalter Hench, March 4, 1942
Kellogg discusses plans for an unveiling of the Cuban version of the Cornwell painting.
Letter from George A. Kellogg to Philip Showalter Hench, February 7, 1941
Kellogg feels it is essential that Hench see the preliminary sketches before Cornwell begins the work on canvas.
Letter from George A. Kellogg to Philip Showalter Hench, February 7, 1941
Kellogg thanks Hench for providing so much information for Cornwell's painting. He will discuss changes in the painting with Cornwell.
Letter from George A. Kellogg to Philip Showalter Hench, February 18, 1941
Kellogg discusses his conversation with Cornwell and the changes that are planned for the yellow fever painting. Hench may take the preliminary sketches to Cuba with him if he likes.
Letter from George A. Kellogg to Philip Showalter Hench, March 4, 1941
Kellogg discusses the Cornwell painting in progress, proposed changes to the painting, and the possibility of producing a second painting to appease critics in Cuba.
Letter from George A. Kellogg to Philip Showalter Hench, March 16, 1941
Kellogg discusses his efforts to assuage critics in Cuba. He will send Hench photographs of the preliminary "Cuban versions" of Cornwell's painting.
Letter from George A. Kellogg to Philip Showalter Hench, March 17, 1941
Kellogg thanks Hench for the letter, from Agramonte's daughter, in which she criticized the preliminary sketches of Cornwell's painting.
Letter from George A. Kellogg to Philip Showalter Hench, March 21, 1941
Kellogg reports on his visit with Andrus and notes suggestions Andrus made for the Cornwell painting.