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letters (correspondence)

 Subject

Subject Source: Art & Architecture Thesaurus

Scope Note: Pieces of correspondence that are somewhat more formal than memoranda or notes, usually on paper and delivered.

Found in 6940 Collections and/or Records:

Letter from George A. Kellogg to Philip Showalter Hench,  April 22, 1942

 Item — Box 39: Series uva-lib:2225888, Folder: 12
Identifier: 03912011
Scope and Contents

Kellogg is afraid that Rankin will excuse himself from the unveiling of the McDowell painting, and so requests that Hench write to him emphasizing the importance of the event.

Dates:  April 22, 1942

Letter from George A. Kellogg to Philip Showalter Hench,  May 5, 1942

 Item — Box 40: Series uva-lib:2225888, Folder: 2
Identifier: 04002004
Scope and Contents

Kellogg thanks Hench for his letter to Rankin concerning a medical portrait unveiling sponsored by Kellogg's company.

Dates:  May 5, 1942

Letter from George A. Kellogg to Philip Showalter Hench,  May 8, 1942

 Item — Box 40: Series uva-lib:2225888, Folder: 2
Identifier: 04002005
Scope and Contents

Kellogg sends Hench a proof of an insert prepared by the Wyeth Company that is to appear in "Modern Medicine."

Dates:  May 8, 1942

Letter from George A. Kellogg to Philip Showalter Hench,  May 26, 1942

 Item — Box 40: Series uva-lib:2225888, Folder: 2
Identifier: 04002010
Scope and Contents

Kellogg thanks Hench for his corrections of the text on “Conquerors of Yellow Fever,” to be included in the booklet of Cornwell paintings.

Dates:  May 26, 1942

Letter from George A. Kellogg to Philip Showalter Hench,  June 1, 1942

 Item — Box 40: Series uva-lib:2225888, Folder: 3
Identifier: 04003001
Scope and Contents From the Series: Series IV. Philip Showalter Hench primarily consists of materials that Hench created or collected while researching the U.S. Army Yellow Fever Commission. Items in this series date from around 1850 to around 1865 with the bulk of the items dating from 1937 to 1960. Researchers who are studying the yellow fever experiments will be particularly interested in the materials (e.g. interviews, autobiographies) that document first-hand accounts of the events surrounding the experiments. Other...
Dates:  June 1, 1942

Letter from George A. Kellogg to Philip Showalter Hench,  June 23, 1942

 Item — Box 40: Series uva-lib:2225888, Folder: 3
Identifier: 04003009
Scope and Contents

Kellogg suggests that Hench give a lecture on yellow fever lecture in Philadelphia. He introduces his brother, a surgeon, and comments on the successful Cornwell painting unveiling at which Col. Rankin spoke.

Dates:  June 23, 1942

Letter from George A. Kellogg to Philip Showalter Hench,  July 8, 1942

 Item — Box 40: Series uva-lib:2225888, Folder: 5
Identifier: 04005004
Scope and Contents

Kellogg asks if Hench has noted the use of the “Conquerors of Yellow Fever” painting in Morrow's new book. He discusses Pinto's role in the yellow fever experiments.

Dates:  July 8, 1942

Letter from George A. Kellogg to Philip Showalter Hench,  August 29, 1942

 Item — Box 40: Series uva-lib:2225888, Folder: 7
Identifier: 04007006
Scope and Contents

Kellogg discusses his new magazine, "Army Doctor," for which he hopes to hire Siler as an advisor. He visited the Keans and will send Hench photographs of the visit.

Dates:  August 29, 1942

Letter from George A. Kellogg to Philip Showalter Hench,  September 2, 1942

 Item — Box 40: Series uva-lib:2225888, Folder: 8
Identifier: 04008001
Scope and Contents

Kellogg discusses his meeting with Siler. He informs Hench that Lawrence Reed was honored to personally present Hench's application for an army commission.

Dates:  September 2, 1942

Letter from George A. Kellogg to Philip Showalter Hench,  October 9, 1942

 Item — Box 40: Series uva-lib:2225888, Folder: 9
Identifier: 04009001
Scope and Contents From the Series: Series IV. Philip Showalter Hench primarily consists of materials that Hench created or collected while researching the U.S. Army Yellow Fever Commission. Items in this series date from around 1850 to around 1865 with the bulk of the items dating from 1937 to 1960. Researchers who are studying the yellow fever experiments will be particularly interested in the materials (e.g. interviews, autobiographies) that document first-hand accounts of the events surrounding the experiments. Other...
Dates:  October 9, 1942

Letter from George A. Kellogg to Philip Showalter Hench,  February 7, 1941

 Item — Box 59: Series uva-lib:2229293, Folder: 6
Identifier: 05906003
Scope and Contents

Kellogg feels it is essential that Hench see the preliminary sketches before Cornwell begins the work on canvas.

Dates:  February 7, 1941

Letter from George A. Kellogg to Philip Showalter Hench,  February 7, 1941

 Item — Box 59: Series uva-lib:2229293, Folder: 6
Identifier: 05906006
Scope and Contents

Kellogg thanks Hench for providing so much information for Cornwell's painting. He will discuss changes in the painting with Cornwell.

Dates:  February 7, 1941

Letter from George A. Kellogg to Philip Showalter Hench,  February 18, 1941

 Item — Box 59: Series uva-lib:2229293, Folder: 6
Identifier: 05906011
Scope and Contents

Kellogg discusses his conversation with Cornwell and the changes that are planned for the yellow fever painting. Hench may take the preliminary sketches to Cuba with him if he likes.

Dates:  February 18, 1941

Letter from George A. Kellogg to Philip Showalter Hench,  March 4, 1941

 Item — Box 59: Series uva-lib:2229293, Folder: 6
Identifier: 05906044
Scope and Contents

Kellogg discusses the Cornwell painting in progress, proposed changes to the painting, and the possibility of producing a second painting to appease critics in Cuba.

Dates:  March 4, 1941

Letter from George A. Kellogg to Philip Showalter Hench,  March 16, 1941

 Item — Box 59: Series uva-lib:2229293, Folder: 6
Identifier: 05906057
Scope and Contents

Kellogg discusses his efforts to assuage critics in Cuba. He will send Hench photographs of the preliminary "Cuban versions" of Cornwell's painting.

Dates:  March 16, 1941

Letter from George A. Kellogg to Philip Showalter Hench,  March 17, 1941

 Item — Box 59: Series uva-lib:2229293, Folder: 6
Identifier: 05906062
Scope and Contents

Kellogg thanks Hench for the letter, from Agramonte's daughter, in which she criticized the preliminary sketches of Cornwell's painting.

Dates:  March 17, 1941

Letter from George A. Kellogg to Philip Showalter Hench,  March 21, 1941

 Item — Box 59: Series uva-lib:2229293, Folder: 6
Identifier: 05906069
Scope and Contents

Kellogg reports on his visit with Andrus and notes suggestions Andrus made for the Cornwell painting.

Dates:  March 21, 1941

Letter from George A. Kellogg to Philip Showalter Hench,  March 27, 1941

 Item — Box 59: Series uva-lib:2229293, Folder: 6
Identifier: 05906072
Scope and Contents

Kellogg discusses the depiction of soldier volunteers in the Cornwell painting. He will test reactions to the painting in Cuba before distributing it.

Dates:  March 27, 1941

Letter from George A. Kellogg to Philip Showalter Hench,  May 16, 1941

 Item — Box 59: Series uva-lib:2229293, Folder: 6
Identifier: 05906090
Scope and Contents

Kellogg discusses Hench's travel expenses and the guest list for the unveiling of the Cornwell painting.

Dates:  May 16, 1941

Letter from George A. Kellogg to Philip Showalter Hench,  May 28, 1941

 Item — Box 59: Series uva-lib:2229293, Folder: 6
Identifier: 05906101
Scope and Contents

Kellogg supplies Hench with details on the upcoming unveiling of the Cornwell painting. He discusses Law's introduction of Hench, the guest list, Hench's speech, the planned order of proceedings, and the painting.

Dates:  May 28, 1941