letters (correspondence)
Found in 6939 Collections and/or Records:
Letter from George A. Kellogg to Morris Fishbein, July 22, 1941
Kellogg describes to Fishbein the possibilities of including a plate of Cornwell's painting in Hench's article for the journal "Hygeia."
Letter from George A. Kellogg to Morris Fishbein, July 29, 1941
Kellogg informs Fishbein that they will supply inserts of Cornwell's "Conquerors of Yellow Fever" for Hench's "Hygeia" article.
Letter from George A. Kellogg to Philip Showalter Hench, February 7, 1941
Kellogg feels it is essential that Hench see the preliminary sketches before Cornwell begins the work on canvas.
Letter from George A. Kellogg to Philip Showalter Hench, February 7, 1941
Kellogg thanks Hench for providing so much information for Cornwell's painting. He will discuss changes in the painting with Cornwell.
Letter from George A. Kellogg to Philip Showalter Hench, February 18, 1941
Kellogg discusses his conversation with Cornwell and the changes that are planned for the yellow fever painting. Hench may take the preliminary sketches to Cuba with him if he likes.
Letter from George A. Kellogg to Philip Showalter Hench, March 4, 1941
Kellogg discusses the Cornwell painting in progress, proposed changes to the painting, and the possibility of producing a second painting to appease critics in Cuba.
Letter from George A. Kellogg to Philip Showalter Hench, March 16, 1941
Kellogg discusses his efforts to assuage critics in Cuba. He will send Hench photographs of the preliminary "Cuban versions" of Cornwell's painting.
Letter from George A. Kellogg to Philip Showalter Hench, March 17, 1941
Kellogg thanks Hench for the letter, from Agramonte's daughter, in which she criticized the preliminary sketches of Cornwell's painting.
Letter from George A. Kellogg to Philip Showalter Hench, March 21, 1941
Kellogg reports on his visit with Andrus and notes suggestions Andrus made for the Cornwell painting.
Letter from George A. Kellogg to Philip Showalter Hench, March 27, 1941
Kellogg discusses the depiction of soldier volunteers in the Cornwell painting. He will test reactions to the painting in Cuba before distributing it.
Letter from George A. Kellogg to Philip Showalter Hench, May 16, 1941
Kellogg discusses Hench's travel expenses and the guest list for the unveiling of the Cornwell painting.
Letter from George A. Kellogg to Philip Showalter Hench, May 28, 1941
Kellogg supplies Hench with details on the upcoming unveiling of the Cornwell painting. He discusses Law's introduction of Hench, the guest list, Hench's speech, the planned order of proceedings, and the painting.
Letter from George A. Kellogg to Philip Showalter Hench, June 23, 1941
Kellogg discusses the publication of Hench's remarks on the Cornwell painting in medical journals. The Wyeth Company will provide color inserts of the painting for publication.
Letter from George A. Kellogg to Philip Showalter Hench, July 8, 1941
Kellogg informs Hench that the Moran figure in Cornwell's painting has already been completed with a mustache. Plates of the painting have also already been made. He discusses the publication of an article on the painting.
Letter from George A. Kellogg to Philip Showalter Hench, August 22, 1941
Kellogg discusses identification of the figures in Cornwell's painting for an upcoming "Hygeia" article that will feature a copy of the painting.
Letter from George A. Kellogg to Philip Showalter Hench, August 26, 1941
Kellogg discusses the inclusion of Ames in the Cornwell painting. He has contacted Kean regarding this matter.
Letter from George A. Kellogg to Philip Showalter Hench, August 27, 1941
Kellogg sends Hench copies of correspondence with Carlos E. Finlay. He discusses Cubans' attitudes toward the work of Carlos J. Finlay and the possibility of a "Cuban version" of the Cornwell painting.
Letter from George A. Kellogg to Philip Showalter Hench, September 23, 1941
Kellogg discusses the painting of McDowell, which is being planned by Wyeth, and describes Rankin's criticism of the Cornwell yellow fever painting.
Letter from George A. Kellogg to Philip Showalter Hench, October 16, 1941
Kellogg has received favorable comments on the Cornwell painting from Cumming and Kahn. Kahn, a friend of Carlos E. Finlay, reported Finlay's approval.
Letter from George A. Kellogg to Philip Showalter Hench, October 27, 1941
Kellogg discusses the favorable reaction to the Cornwell yellow fever painting. He has sent a proof and copies to Agramonte's daughter.