letters (correspondence)
Found in 6939 Collections and/or Records:
Letter from Philip Showalter Hench to George A. Kellogg, February 20, 1941
Hench sends Kellogg photographs to be used by Cornwell for changes to the yellow fever painting. He discusses Clara Maass, the Cubans' representation of Finlay's work, and a need for two versions of the painting to please both Americans and Cubans.
Letter from Philip Showalter Hench to George A. Kellogg, February 26, 1941
Hench comments on Truby's suggestions regarding the Cornwell yellow fever painting.
Letter from Philip Showalter Hench to George A. Kellogg, March 14, 1941
Hench requests copies of Mabel Lazear's photographs and discusses Agramonte's daughter. He recommends taking sketches of the "Cuban versions" of the painting rather than the originals to Cuba with him.
Letter from Philip Showalter Hench to George A. Kellogg, March 21, 1941
Hench thinks Kellogg handled the Cuban situation well. He comments on the Finlay supporters in Cuba. Hench discusses the Cornwell painting in progress and the suggestions Kellogg has received from various men concerning the painting.
Letter from Philip Showalter Hench to George A. Kellogg, March 29, 1941
Hench offers more suggestions for the Cornwell painting.
Letter from Philip Showalter Hench to George A. Kellogg, May 20, 1941
Hench discusses his speech for the upcoming unveiling of the Cornwell portrait and suggests guests to be invited by Kellogg.
Letter from Philip Showalter Hench to George A. Kellogg, May 27, 1941
Hench discusses his speech for the upcoming unveiling of the Cornwell portrait and requests more details on the event and on the painting.
Letter from Philip Showalter Hench to George A. Kellogg, July 16, 1941
Hench discusses the planned publication of his speech and reproductions of the Cornwell painting in "Hygeia" and the "New York Sunday Mirror."
Letter from Philip Showalter Hench to George A. Kellogg, August 13, 1941
Hench discusses changes to Cornwell's "Conquerors of Yellow Fever" painting that would improve its historical accuracy.
Letter from Philip Showalter Hench to George A. Kellogg, August 15, 1941
Hench thanks Kellogg for the reaction letters, from both Cubans and Americans, to the painting. He discusses the sentiments in these letters.
Letter from Philip Showalter Hench to George A. Kellogg, August 23, 1941
Hench discusses identification of the figures in Cornwell's painting for an upcoming "Hygeia" article that will feature a copy of the painting. He presents a strong argument for including Ames.
Letter from Philip Showalter Hench to George A. Kellogg, August 26, 1941
Hench discusses the Cornwell painting and an upcoming "Hygeia" article based on his speech at the unveiling. He thinks it appropriate for Moran to be depicted in a military uniform in the painting.
Letter from Philip Showalter Hench to George A. Kellogg, September 1, 1941
Hench discusses Cuban attitudes towards Finlay and the identification of figures in the Cornwell painting.
Letter from Philip Showalter Hench to George A. Kellogg, September 25, 1941
Hench thanks Kellogg for the acknowledgement included in the journal article on the Cornwell painting. However, he suggests a few changes to the acknowledgement.
Letter from Philip Showalter Hench to George A. Kellogg, June 14, 1943
Hench congratulates Kellogg on his award from the National Art Director's Club. He expresses regret that Cornwell's remarks at the unveiling of the yellow fever painting were never recorded. He mentions the books of Laura Wood, Hume and Truby.
Letter from Philip Showalter Hench to George A. Kellogg, July 31, 1943
Letter from Philip Showalter Hench to George A. Kellogg, February 3, 1942
Hench reports that he enjoyed Emilie Reed's birthday party. He visited Lazear's boyhood home, where he saw old photographs, books, and letters.
Letter from Philip Showalter Hench to George A. Kellogg, February 12, 1942
Hench sends Kellogg an item from the Old Hickory Bookshop and tells him that he liked the note from the Kellogg children.
Letter from Philip Showalter Hench to George A. Kellogg, February 26, 1942
Hench inquires about the anticipated Cuban unveiling of the Cornwell paintings, which he would like to attend if possible. He informs Kellogg that Hoffmann is a member of the Finlay Institute.
Letter from Philip Showalter Hench to George A. Kellogg, March 4, 1942
Hench invites Kellogg to visit him.