letters (correspondence)
Found in 6939 Collections and/or Records:
Letter from John H. Andrus to John J. Moran, March 2, 1938
Andrus thanks Moran for the introduction to Hench and is curious about Hench's interest. He relates family news.
Letter from John H. Andrus to John J. Moran, April 12, 1938
Andrus summarizes his correspondence with the Mayo Clinic physicians for Moran, and he discusses the film “Yellow Jack.” He describes Lambert's physical condition and comments on the New Deal.
Letter from John H. Andrus to John J. Moran, July 1, 1938
Andrus requests Moran's assistance in getting a bill passed to honor Ames and Lambert.
Letter from John H. Andrus to Philip Showalter Hench, March 2, 1938
Andrus sends Hench his medical history and wonders if his spinal condition is a result of yellow fever.
Letter from John H. Andrus to Philip Showalter Hench, January 31, 1938
Andrus offers his cooperation in Hench's project and encloses a list of the yellow fever volunteers.
Letter from John H. Andrus to Philip Showalter Hench, February 23, 1941
Andrus appreciates Hench's input concerning the manuscript Andrus wrote about his own experience as a volunteer in the yellow fever experiments. He discusses the manuscript, entitled “The Tale of a Guinea Pig.” and encloses a copy.
Letter from John H. Andrus to Philip Showalter Hench, April 26, 1941
Andrus writes that some of the enlisted men thought it highly unlikely that Lazear would have allowed a stray mosquito to bite him. It was known that Carroll was inoculated by mosquito-bite, but not clear if that was the cause of Carroll's disease as he also had been in the epidemic zone. He looks forward to Hench's comments on his manuscript.
Letter from John H. Andrus to Philip Showalter Hench, May 27, 1941
Andrus informs Hench that his manuscript, which detailed his role in the yellow fever experiments, was rejected by Hearst publications.
Letter from John H. Andrus to Philip Showalter Hench, January 2, 1942
Letter from John H. Andrus to Philip Showalter Hench, January 26, 1942
Andrus appreciates Hench's comments and offer to review another draft of his manuscript, which he encloses. Andrus would like to see the manuscript published before his death.
Letter from John H. Andrus to Philip Showalter Hench, February 22, 1942
Andrus speculates on the location of the original yellow fever charts. He recalls that Reed was quite sick before arriving at Columbia Barracks, in November 1900.
Letter from John H. Andrus to Philip Showalter Hench, Letter from David L. Andrus to Philip Showalter Hench and aLayman's History of John H. Andrus, March 1938
Letter from John H. Andrus to Robert P. Cooke, October 12, 1940
Andrus writes to Cooke with questions regarding the yellow fever experiments and Agramonte's role. Cooke answers the questions in the spaces provided and adds a qualifying note.
Letter from John H. Andrus to [s.n.] Mitten, November 3, 1941
Andrus discusses the yellow fever experiments and the role played by Lambert, whom he feels deserves more credit.
Letter from John H. Andrus to [s.n.] Mitten, November 3, 1941
Andrus discusses the yellow fever experiments and the role played by Lambert, whom he feels deserves more credit.
Letter from John H. Walker to H. C. Corbin, January 16, 1903
Walker requests a statement of service regarding Reed. [Courtesy of the National Archives and Records Administration]
Letter from John Hay to the Secretary of War, May 31, 1901
On behalf of the Department of State, Hay requests two copies of Sternberg's circular on yellow fever for the Portuguese Minister.
Letter from John J. Kelly to Albert E. Truby, circa 1910-1960
Kelly thanks Truby for the information he sent him about Finlay because the Universidad De Villanueva wants to honor him.
Letter from John J. Moran to Albert E. Truby, April 27, 1937
Moran corrects identifications of individuals in a photograph and describes his military assignments.
Letter from John J. Moran to George A. Kellogg, October 25, 1941
Moran apologizes to Kellogg for not writing and writes that he has not yet received copies of the Cornwell painting.