Box 40
Contains 242 Results:
Note, circa 1943
Letter from Leatha Logan to Philip Showalter Hench, October 8, 1943
Letter from [John J. Moran] to Mrs. Dalmar R. Blakely, October 6, 1943
[Moran] discusses his stay in the U.S., commenting on the changes that the war has had on American society. He thanks her for her hospitality she showed to his wife while he was at Walter Reed hospital.
Letter from Philip Showalter Hench to Bertha L. Heilbron, October 8, 1943
Letter from Bertha L. Heilbron to Philip Showalter Hench, October 12, 1943
Heilbron sends Hench an article about Walter Reed, published by the Minnesota Historical Society.
Letter from Bertha L. Heilbron to Philip Showalter Hench, October 15, 1943
Heilbron comments on Hench's article, entitled "Conquerors of Yellow Fever." She informs him that he will receive a number of copies of her article on Reed.
Letter from Philip Showalter Hench to Bertha L. Heilbron, October 18, 1943
Letter from Philip Showalter Hench to Leatha Logan, October 25, 1943
Letter from James J. Waring to Philip Showalter Hench, October 29, 1943
Letter from P.M. Hamer to Philip Showalter Hench, February 5, 1944
Receipt from the Old Hickory Bookshop for Philip Showalter Hench, February 25, 1944
Letter from Philip Showalter Hench to Charles L. Totten, August 2, 1944
Letter from Frank F. Law to Philip Showalter Hench, September 17, 1943
Law informs Hench that Cornwell's latest painting will be unveiled soon and that he will receive an invitation to attend the ceremony.
Note from Dorma V. Schnurr to [Philip Showalter Hench], September 27, 1944
Schnurr informs [Hench] that Moran is unable to identify the persons in the photograph.
Letter from Atcheson Laughlin Hench to Mary Hench, October 29, 1944
Letter from [Philip Showalter Hench?] to [Albert E. Truby?], October 31, 1944
Letter from Philip Showalter Hench to Frank F. Law, November 23, 1944
Hench describes his encounter with Ramos. Ramos plans to commission a painting by Cornwell along the lines of the preliminary sketches for the Yellow Fever painting. However, this version would give Finlay the dominant position.
Letter from Philip Showalter Hench to Raquel Romero, November 26, 1944
Hench discusses the mural on which she is currently working. He hopes to receive a photograph or newspaper clipping when it is unveiled.
Letter from Frank F. Law to Philip Showalter Hench, November 30, 1944
Law informs Hench about his meeting with Ramos and describes his ideas for exploiting the yellow fever painting in Cuba. Law requests that Hench contact Ramos to find out about the progress on this project.