Ida Libby Dengrove courtroom sketches
Scope and Contents
This collection primarily consists of 6224 sketches drawn by Ida Libby Dengrove. Most of the drawings are courtroom sketches from criminal and civil trials. Those trials include the David "Son of Sam" Berkowitz trial; U.S. v. Williams, 705 F.2d 603 (2d Cir. 1983) (ABSCAM); New Jersey v. Chesimard, 555 F. 2d 63 (3d Cir. 1977) (Assata Shakur); U.S. v. Dillinger, 657 F. 2d 140 (7th Cir 1981) (Abbie Hoffman); U.S. v. Hinckley, 525 F. Supp. 1342 (D.D.C. 1981) and many others.
In addition to the sketches, the collection also contains newsclippings, books, and other materials that document the life and work of Ida Libby Dengrove.
Dates
- Creation: Majority of material found within 1972 - 1987
Conditions Governing Access
There are no restrictions on access to the materials in this collection.
Biographical / Historical
Ida Libby Leibovitz was born in 1919 in Philadelphia. She spent her summers in Atlantic City, where her mother worked, while Ida and her mirror twin, Freda, sketched portraits on the beach. She attended Moore College of Art and Design in Philadelphia and was mentored by Dr. Albert Barnes, studying free at the Barnes Foundation in Merion, Pennsylvania. Both Ida and Freda traveled to Mexico to study with Diego Rivera in the summer of 1939, though it was Ida who won the fellowship.
Ida married Dr. Edward Dengrove shortly before the bombing of Pearl Harbor. While he served overseas as a flight surgeon with the Flying Tigers in China, Ida took a job with the USO, sketching wounded soldiers for their families back home. After the war she remained committed to her art, teaching lessons and exhibiting at every opportunity. In 1972 she interviewed for a position at WNBC News where she was hired on the spot when Bernard Schussman saw the sketch of his secretary that Ida had drawn while waiting.
In the early seventies, a New Jersey judge called Ida to his chambers and ruined her drawings, an action then justified by the Canons of Judicial Ethics. Dengrove and NBC fought the measure to the New Jersey Supreme Court, where a decision in 1974 amended the Code of Judicial Conduct of the American Bar Association. The discretionary ban on court sketch artists was lifted.
For twenty-eight years, Dengrove sketched some of the most noteworthy trials and notorious offenders of the late twentieth century. Her work on the David "Son of Sam Berkowitz, earned her the first two Emmys. She won another for the coverage of Craig Crimmins and the "Murder at the Met." She sketched John Gotti, Carmine "The Snake" Persico, Anthony "Fat Tony" Salerno, and other mob bosses. She recreated the Sacco and Vanzetti trial, drew John Lennon as a defendant, Jackie O as a plaintiff, Mick Jagger as a witness, and Sid Vicious as an accused murderer. She immortalized the arraingments of Mark David Chapman and John Hinckley just a few months apart. She committed to paper the lasting fallout of court proceedings still extending from Watergate and Vietnam.
After leaving NBC in 1987, Dengrove continued to draw, paint, and create for another twenty years until her death from complications of Alzheimer's at the age of eighty-six.
Full Extent
6224 items
Full Extent
123.16 Linear Feet (60 oversized boxes)
Language of Materials
English
Immediate Source of Acquisition
In March 2014, Ida Libby Dengrove's daughter, Lois Dengrove, donated this collection to the University of Virginia Law Library.
Existence and Location of Copies
The University of Virginia Law Library made digital copies of most of the sketches. Those copies were added to this collection.
Processing Information
The collection of sketches arrived at the University of Virginia Law Library in one large crate, with 15 smaller crates containing loosely organized envelopes containing the sketches. To preserve them, each individual sketch received a protective paper sleeve and was then stored in an acid-free folder. These folders were placed in a total of 60 archival preservation boxes, amounting to 20 linear feet of storage.
Gleaning any bits of information from each, Law Library staff used the available information about the subjects and trials to research and tag every one of Dengrove’s sketches. Then, for the larger or more famous trials, personalities, and subjects, they more extensively researched and wrote up longer descriptive pieces, what were called "write-ups.”
Once preserved and described, each sketch was digitized using a 60 MP Hasselblad H4D digital camera. The preservation-quality digital originals were then preserved, and derivative web-deliverable JPGs were created.
Topical
- Status
- Completed
- Language of description
- English
- Script of description
- Latin
Repository Details
Part of the Arthur J. Morris Law Library Special Collections Repository
Arthur J. Morris Law Library
580 Massie Road
University of Virginia
Charlottesville Virginia 22903 United States
archives@law.virginia.edu