Box 1
Contains 41 Results:
"El Dios y Elrey", 1954
"Herrera Y Reissig", 1924
"Herrera Y Reissig" is an original holograph manuscript by Jorges Luis Borges about the Uruguayan Symbolist poet Julio Herra Y Reissig. 3 leaves titled and signed. It was published in the September 1924 issue of Inicial and then republished in in Borge's book Inquisiciones in [1925]. No other manuscript is known.
"Soneto para un Tango en la Nochecita", 1926
Manuscript "La Vuelta a Buenos Aires" and a letter from Jorge Luis Borges to "Méndez" about the manuscript from "Luna de Enfrente," , 1924
The collection contains a signed autograph manuscript, 1926, of Borges's poem "La vuelta a Buenos Aires" from "Luna de Enfrente," 1926, inscribed "A Matilde." With it is a letter, 1924 December 24, [Buenos Aires] to "Méndez" regarding the publication and title of his forthcoming book "Luna de Enfrente," and his friendship with Méndez (apparently associated with the publishing of Luna de Enfrente).
Autographed manuscript signed, "Al tal Vez Lecto", 1925
Signed autograph manuscript of the foreword to "Luna de enfrente."
"A Mi Padre", 1938
Borges's poem is signed "Buenos Aires 1938 J.L.B." and has a sketch of a broadleaf tree at the bottom.
Signed postcard photograph of Jorge Luis Borges to Haydee Martinez, 1931
The postcard is inscribed "a Haydee Martinez, con total amistad - Jorge Luis Borges 1931."
Autographed letters signed, Jorge Luis Borges to Macedonio Fernández., undated
Autographed letters signed, Jorge Luis Borges to Macedonio Fernández. One letter, written on a sheet of stationery from the Hotel Bayard, Paris, contains a sketch of a woman playing a guitar.
Jorge Luis Borges letters to Evar Méndez, 1924-1925
Borges, Buenos Aires, Argentina, to Evar Méndez, September 1925, together with envelope and a note by Borges on his calling card.
"Trincheras", 1923
Manuscript, with numerous corrections and emendations, of Jorge Luis Borges, entitled "Trincheras."
"Antología de la Poesía Argentina Moderna", 1926
A critical analysis of Julio Noe.
"Manual de Zoologia Fantastica", 1963
Portion of an undated manuscript entitled "Manual de Zoologia Fantastica" with a later inscription by Borges dated September 3, 1963.
Autograph manuscript of "Música Patria" and drawings by Borges, 1919-1923
The autograph manuscript of Música patria, written in 1919, contains 1920 and 1923 additions by Borges. The manuscript includes three sketches by Borges of a farm scene, two musicians, and a couple dancing.
"Viejo Hábito Argentino", 1946-1955
The manuscript was written in 1946 and revised in 1950 and 1955 by Borges and contains six sketches by him, two as part of his signature. One is a detailed half page sketch of "dio Hydra der Dikator" with heads of Hitler, Marx, etc. It was subsequently published as "Nuestro pobre individualismo" (from Otras Inquisiciones).
Jorge Luis Borges postcards to Ramón Sopena from Mar del Plata, 1935
Two postcards to Sopena with scenes in Mar del Plata. Borges refers to several of his writings and mentions authors Alejandro Xul Solar, Maunel Peyrou, Amado Alonso, and Pedro Henríquez Ureña.
Autographed manuscript signed "La Pampa y el Suburbio son Dioses" and letter from Ricardo Molinari, 1925, 1948
Manuscript draft of a central essay in "El Tamaño de mi Esperanza." With the manuscript is a letter, 1948 December 25, Ricardo Molinari to "mi estimato doctor," conveying the manuscript.
Correspondence of Norman Thomas di Giovanni, 1967-1978
Jorge Luis Borges poems translated by Ben Belitt, 1968; undated
Jorge Luis Borges notes for Cunderno San Martin, 1929
"La Cábala" , [1930]
Holograph manuscript,"La Cábala" (The Kabbalah), by Jorge Luis Borges, unpublished, in black ink on both sides of 2 leaves of gridded spiral notebook paper, numbered by Borges. There is a small hole at the front of the leaf, and a few ink blots.
Lengthy discussion by Borges on the Cabala significantly reflects and complements Borges original text of this essay (La Cabala 1943). It contains rare glimpses of his research sources and notes for his subject.